| Brahms | Concerto | Schneevoigt (Conductor), New Friends of Music O *1 | 2/12/1940, Carnegie Hall |
L | DOREMI DHR-7781/2 / Carnegi Hall Recording Company |
| A. Boult (Conductor), BBC SO *1 | 5/4/1943, Studio 1, Maida Vale | R | BBC music vol.6-1 | ||
| Furtwängler (Conductor), Lucerne Festival O *2 | 7/10/1949, Kunsthaus | EMI 7243 5 62822 2 3 / HMV DB9444/8S (78 rpm) / FALP 122 (LP) | |||
| Argenta (Conductor), Espana National O | 1956? | L | rtve 65097 *3 | ||
| Kempe (Conductor), Berlin PO *2 | 6&9/9/1957 | EMI 5 85562 2 / HMV ASD 264 (LP) | |||
| Masur (Conductor), Leipzig Gewandhaus O *2 | 2/9/1982 | L | EMI TT60-1173HI(VHS) | ||
| -1st Mov. | A. Boult (Conductor), London SO | 17-21/12/1971, Kingsway Hall |
EMI (unissued) | ||
| Double Concerto for Violin & Cello | Mstislav Rostropovich (Cello), Colin Davis (Conductor), London SO | 30/6/1965 | L | BBC Legends BBCL4050-2 | |
| Antonio Janigro (Cello), Milan Horvat (Conductor), Zagrebacka PO | 1/4/1966 | L | Zagrebacka filharmonija CD 37601 | ||
| Leslie Parnas (Cello), Pablo Casals (conductor), Casals Festival O | 29/5/1969 | L | DOREMI DHR-7844 | ||
| Paul Tortelier (Cello), Paavo Berglund (Conductor), London PO | 15-16/11/1984, Abbey Road No.1 |
EMI 7243 5 75865 2 8 / 7 63022 2 / EL 270268-1 (LP) | |||
| Sonata #1 | H. Menuhin (Piano) | 18/9/1940 | Naxos 8.110771 / Biddulph HMV DB5798/801 (matrices 2AA 32/38) | ||
| Kentner (Piano) | 1956 | EMI(Japan) | |||
| Sonata #2 | Kentner (Piano) | 1956-57 | EMI(Japan) | ||
| Sonata #3 | H. Menuhin (Piano) | 1/7/1936, Studio Albert, Paris |
Naxos 8.110771 / EMI 7243 5 62822 2 3 / Biddulph HMV DB6441/43 (78 rpm) (matrices 2EA 11785/90) | ||
| H. Menuhin (Piano) | 1947 | Biddulph LAB161 | |||
| Kentner (Piano) | 1957 | EMI(Japan) | |||
| H. Menuhin (Piano) | 1959 | EMI | |||
| H. Menuhin (Piano) | ?/?/1960 *4 | R | BBC records REGL409 | ||
| H. Menuhin (Piano) | 15/11/1962, Great Hall of Moscow Concervatory | L | Melodiya MELCD 1001518 / Melodiya M10 44227-30 | ||
| Scherzo from F.A.E Sonata | H. Menuhin (Piano) | 1964 | EMI | ||
| Viola Sonata #1 | Kentner (Piano) | 1980 | EMI | ||
| Viola Sonata #2 | Kentner (Piano) | 1980 | EMI | ||
| Piano Trio #1 | Istomin (Piano), Casals (Cello) | 1955 | L | Music & Arts | |
| Piano Trio #2 | Istomin (Piano), Casals (Cello) | 1955 | L | Music & Arts / Stradivarius STR 10018 | |
| H. Menuhin, Gendron | 4-5/3/1967 | EMI | |||
| Piano Trio #3 | Istomin (Piano), Casals (Cello) | 1955 | L | Music & Arts | |
| Horn Trio | Civil (Horn), H. Menuhin (Piano) | 1966 | EMI | ||
| String Sextet #1 | A. Gerecs (Violin), K. Tuttle (Viola), Ernst Wallfisch (Viola), P. Casals (Cello), M. Foley (Cello) | 1955 | L | Stradivarius STR 10018 / Bruno Walter Society RR 498 (LP) | |
| Robert Masters (Violin), Cecil Aronowitz (Viola), Ernst Wallfisch (Viola), Maurice Gendron (Cello), Derek Simpson (Cello) | 1&2/9/1963 | EMI | |||
| String Sextet #2 | Robert Masters (Violin), Cecil Aronowitz (Viola), Ernst Wallfisch (Viola), Maurice Gendron (Cello), Derek Simpson (Cello) | 20&21,23/12/1964 | EMI | ||
| Symphony #1 | Boult (Conductor), London PO | 17-21/12/1971 | DHISKY / EMI | ||
| -Joachim | Hungarian Dance #1 | Gazelle (Piano) | 21/1/1936, Studio Albert, Paris | Biddulph LAB128 / EMI 7243 5 62822 2 3 | |
| Hungarian Dance #4 | Gazelle (Piano) | 22/2/1936, Studio Albert, Paris | Biddulph LAB128 / EMI 7243 5 62822 2 3 | ||
| Doráti (Piano) | ?/?/1947 | Euro Arts 2054618(DVD) | |||
| Saidenberg (Piano) | 30/12/1949 | Victor DM1361 | |||
| Hungarian Dance #5 | Baller (Piano) | ?/?/1947 | Euro Arts 2054618(DVD) | ||
| Baller (Piano) | ?/10/1951 | Biddulph LAB162/3 / BMG JAPAN BVCC-37436 / Japanese Victor SF708 (matrices P2553) | |||
| Hungarian Dance #6 | Gazelle (Piano) | 28/11/1934, Abbey Road No.3 | Biddulph LAB128 / EMI 7243 5 62822 2 3 | ||
| Hungarian Dance #7 | Gazelle (Piano) | 21/1/1936, Studio Albert, Paris | Biddulph LAB128 / EMI 7243 5 62822 2 3 | ||
| Hungarian Dance #11 | Webster (Piano) | 1938 | Biddulph LAB128 | ||
| Hungarian Dance #12 | Webster (Piano) | 1938 | Biddulph LAB128 | ||
| Hungarian Dance #17 | Gazelle (Piano) | 21/1/1936, Studio Albert, Paris | Biddulph LAB128 / EMI 7243 5 62822 2 3 | ||
| Bridge | Piano Trio #2 | Britten (Piano), Gendron (Cello) | 24/6/1963 | L | BBC Legends BBCL4134-2 |
| Bruch | Concerto #1 | Ronald (Conductor), London SO | 25/11/1931 | Naxos 8.110902 / Biddulph LAB031 / CLAREMONT CD GSE 78-50-79 / AVID / HMV DB1611/3 (matrices 2B 2022-2, 2023-2, 2024-2, 2025-1A, 2026-2, 2027-2) | |
| Monteux (Conductor), San Francisco O | 1945 | Biddulph LAB129 | |||
| Munch (Conductor), Boston SO | 19/1/1951 | Naxos 8.110991 / RCA LM122 | |||
| Susskind (Conductor), Philharmonia O | 1956 | EMI | |||
| Ferenc Fricsay (Conductor), Berlin RSO | 6/5/1961 | EMI DVB4928459 (DVD) | |||
| Boult (Conductor), London SO | 1971 | EMI 5 85562 2 / HMV | |||
| Concerto #2 | Boult (Conductor), London SO | 1971 | EMI | ||
| Chausson | Concerto for Violin, Piano & String Quartet | Kentner (Piano), Pascal String Quartet | 1954 | EMI | |
| Poème | Enescu (Conductor), Paris SO | 21/6/1933 | EMI / Naxos 8.110967 / HMV DB1961/2 (matrices 2PG 855/8) | ||
| Boult (Conductor), London PO | 15/2/1952, Paris | HMV DB 21512/3 (mat. 2EA 16299-302) / EMI EX153-29 0864-3 Naxos 8.111135 | |||
| Pritchard (Conductor), Philharmonia O | 1960 | EMI | |||
| Copland | Sonata -Lento | Gazelle (Piano) | 1950s | HMV HLP27 / RCA LM6153 | |
| Corelli | Concerto Grosso in F, Op.6-2 | Masters (Violin), Simpson (Cello), Menuhin (Conductor), Bath Festival O | 4&11/7/1964 | EMI 5855622 / EMI | |
| Sonatas #1-12 | G. Malcolm (Harpsichord), Donnington (Viola da gamba) | 11/1978&7/1979 | EMI *5 | ||
| Sonata #1 | G. Malcolm (Harpsichord) | 1977 | A Faber Record FR-105 | ||
| -David | La Follia | Giesen (Piano) | 11/12/1930 | Biddulph LAB032 / IRUKA DISKS RX3302 (CD-R) / HMV DB1501 | |
| G. Moore (Piano) | 1/10/1953 | RCA LHMV10 (LP) | |||
| Couperin | Forlane in E | G. Malcolm (Harpsichord) | 1977 | A Faber Record FR-105 | |
| Debussy | Sonata | Makarov (Piano) | 17/11/1945 | L | Melodiya M10-49581 / Revelation RV10067 |
| Britten (Piano) | 27/6/1959 | L | BBC Legends BBCL4083-2 | ||
| Février (Piano) | 1974 | EMI | |||
| Sonata for Flute, Viola & Harp | Debost (Flute), Laskine(Harp) | 1974 | EMI | ||
| -Hartmann | La Fille aux Cheveux de Lin | Gazzelle (Piano) | 1935 | Biddulph | |
| Baller (Piano) | 1944 | RCA | |||
| Makarov (Piano) | 17/11/1945 | L | Melodiya M10-49583 / Revelation 10067 / GPR GPRS001 | ||
| G. Moore (Piano) | 30/10/1952 | HMV DA2023 (78 rpm) / RCA LHMV22 *6 | |||
| G. Moore (Piano) | 1969 | EMI | |||
| Minstrels | Balsam (Piano) | 1932 | Biddulph | ||
| Delibes | Coppélia (highlights) | Irving (Conductor), Philharmonia O | 1960 | EMI / Royal Classics | |
| Sylvia (highlights) | Irving (Conductor), Philharmonia O | 1960 | EMI / Royal Classics | ||
| Delius | Concerto | Meredith Davies (Conductor), Royal PO | 1976 | EMI British Composers | |
| Double Concerto for Violin & Cello | Tortelier (Cello), Meredith Davies (Conductor), Royal PO | 1976 | EMI | ||
| Sonatas #1-3 | Fenby (Piano) | 10-11/10/1978 | EMI 0946 3 70566 2 2 | ||
| Serenade from "Hassan" | G. Moore (Piano) | c.1955 | Green Door GDCL-0046 / RCA LM2014 (LP) | ||
| Dinicu -Heifetz | Hora Staccato | Endt (Piano) | 1939 | EMI / Biddulph | |
| Dvorák | Concerto | Enescu (Conductor), Paris Conservatoire O | 26&28/2/1936 | Naxos 8.110966 / EMI / HMV DB2838/41 (matrices 2LA 935/8, 2LA 947/9) | |
| -Kreisler | Slavonic Dance #1 | Gazelle (Piano) | 1936 | Biddulph LAB128 | |
| Slavonic Dance #2 | Gazelle (Piano) | 1936 | Biddulph LAB128 | ||
| Makarov (Piano) | 17/11/1945 | L | Melodiya M10-49583 / GPR GPRS001 | ||
| Baller (Piano) | ?/10/1951 | Biddulph LAB162/3 / BMG JAPAN BVCC-37436 / Japanese Victor SD3038 / JAS206 (matrices M214) | |||
| Songs My Mother Taught Me | Gazelle (Piano) | 1935 | Biddulph LAB128 | ||
| G. Moore (Piano) | 1/12/1953 | HMV DB21608 (78 rpm) / 7 R176 (EP) | |||
| Negro Spiritual Melody | Gazelle (Piano) | 1935 | Biddulph LAB128 / IRUKA DISKS RX3302 (CD-R) | ||
| Gazelle (Piano) | 1943 | Biddulph LAB128 | |||
| Baller (Piano) | ?/10/1951 | Biddulph LAB162/3 / BMG JAPAN BVCC-37436 / Japanese Victor SD3046 (matrices M215) | |||
| G. Moore (Piano) | ? | RCA LM1742 | |||
| Elgar | Concerto | Elgar (Conductor), London SO | 14&15/7/1932 | EMI / Naxos 8.110902 HMV DB1751/6 (matrices 2B 2968-2A, 2969-2A , 2970-1A, 2971-2A, 2972-1A, 2973-2A, 2974-1A, 2975-1A, 2976-2A, 2977-1A, 2978-1, 2979-2) | |
| Boult (Conductor), London PO | 2/2/1965 | L | BBC Ledgends BBCL4170 | ||
| Boult (Conductor), New Philharmonia O | 1966 | EMI 5 85562 2 / EMI British Composers / HMV | |||
| Boult, London PO | 8/4/1969 | L | AS disc 534 | ||
| Zubin Mehta (Conductor), Israel PO | 1982 | L | Helicon 02-9625 | ||
| Sonata | H. Menuhin | 1978 | EMI British Composers | ||
| Salut dmamour | Baller | 1944 | RCA | ||
| Enescu | Sonata #3 | H. Menuhin (Piano) | 6/1/1936 | EMI / Naxos 8.111127 / HMV DB2739-41 (matrices 2LA 799-804) | |
| H. Menuhin (Piano) | 1966 | BGO RECORDS BGOCD445 / EMI | |||
| Falla -Kreisler | Danse Espagnole | Balsam | 1932 | Biddulph LAB046 | |
| G. Moore (Piano) | 30/10/1952 | RCA LHMV22 *6 | |||
| Fauré | Sonata #1 -Allegro molto | Gazelle | 1950s | HMV HMS98 /HMV HMS98 / RCA LM6153 | |
| Piano Quartet #1 | J. Menuhin, Gendron, Wallfisch | 1970 | EMI | ||
| Andante | J. Menuhin | 1970 | EMI | ||
| Berceuse in D | J. Menuhin | 1970 | EMI | ||
| Fiocco | Allegro | Persinger | 1928 | Biddulph LAB031 | |
| Foss | Orpheus & Euridice | E. Michell, Foss, Brooklyn PO | 1988 | New World 375-2 | |
| Round a Common Center | O. Welles, Bonazzi, Cantilena Chamber Players | 1981 | ProArte | ||
| Franck | Sonata | H. Menuhin | 6&7/1/1936 | Naxos 8.110989 / Biddulph HMV DB2724/2745 (matrices 2LA 805/812) | |
| Makarov | 16/11/1945 | L | Melodiya M10-49581 / Revelation 10067 | ||
| Kentner | 1955 | EMI | |||
| H. Menuhin | 1959 | EMI | |||
| H. Menuhin | 6/1/1960 | EMI DVB4904529 (DVD) | |||
| Granados -Kreisler | Spanish Dance #5 | Webster | 1938 | Biddulph LAB128 | |
| Baller | ?/10/1951 | Biddulph LAB162/3 / BMG JAPAN BVCC-37436 / Japanese Victor SD3049 / JAS230 (matrices M224) | |||
| G. Moore (Piano) | ? | RCA LM1742 (LP) | |||
| Green | Romance on a theme by Paganini | G. Moore (Piano) | 1945 | Biddulph LAB129 | |
| Grieg | Sonata #1-3 | Levin | 1955 | EMI | |
| Handel | Concerto in B flat | Menuhin, Menuhin Festival O | 1968 | EMI Seraphim | |
| Concerti Grossi Op.6 | Masters, Simpson, Menuhin, Bath Festival O | 1961-63 | EMI | ||
| Sonatas #1-6 | Malcolm (Harpsichord), Gauntlett (Viola da gamba) | 1967 | EMI | ||
| Sonata op.1-13 -Largo & Allegro | G. Moore (Piano) | 20/4/1964 | HMV 7EP 7178 | ||
| Sonata #4 | Gazelle (Piano) | 1944 | Biddulph LAB129 | ||
| Sonata #6 | Endt (Piano) | 1939 | Biddulph LAB129 | ||
| Trio Sonata in D major, Op.5-2 | de Vito, Shinebourne (Cello), Malcolm (Cembalo) | 8-11/10/1953 | EMI (Japan) / IDIS 6443/4 / HMV BLP 1046 (10-inch LP) | ||
| Trio Sonata in G minor, Op.2-8 | de Vito (Violin), Shinebourne (Cello), Leppard (Cembalo) | 6/12/1955, Abbey Road Studio | EMI 5738192 | ||
| Water Music (Ed.:Boyling) | Menuhin (Conductor), Bath Festival O | 1963 | EMI | ||
| Ombra mai fu | R. Merrill (Baritone), C. Hollister (Piano) | c.1952 | RCA LM1703 | ||
| -Flesch | Prayer | Persinger (Piano) | 1929 | Biddulph LAB031 | |
| G. Moore (Piano) | 30/10/1952 | Green Door GDCL-0046 / HMV DA2023 (78 rpm) / RCA LM2014 (LP) | |||
| Haydn | Concerto #1 in C | Menuhin, Bath Festival O | 11/2/1963 | EMI 5 85562 2 / EMI | |
| Sonata in G major, Hob.XV:32 | Britten | 27/6/1959 | L | BBC Legends BBCL4083-2 | |
| Scottish Folk Songs | Baker, Malcolm | 27&29&31/5/1975 | Testament SBT1241/ EMI | ||
| Hindemith | Five Peices for String O, Op.44-4 | Bath Festival O | 26/6&3/7/1965 | EMI |
